Anat Propper Goldenberg

Born 1971, London, England
Lives and works in Tel Aviv, Israel.

Propper Goldenberg is a painter, multidisciplinary artist, one of Israel’s Ecological-Art pioneers.
She is a social-ecological activist and a developer of programs and means to promote environmental awareness through the practice of art.

Anat has shown large-scale solo exhibitions and participated in European and Israeli group exhibitions. Her art is displayed at public and private art collections around the world.

Dealing with subjects as social awareness and ecological catastrophes, Anat is crossing and mixing mediums- Fine art, video art, theater and performance.


My upcoming exhibition at the Museum of Natural History in Jerusalem.

Meeting Place

The anthology “Meeting Place” is a physical emblem of art and literature.

At a point in time, the artist Anat Propper Goldenberg has approached ten writers whose writing was close to her heart, and invited them to her studio – Each one of them picked one of her artworks , and embarked on to their own literary journey, producing ten new stories and poems.

The writers who participated in the projects – Colette Leinman, Gai Ad, Alon Altaras, Ari Libsker, Galia Oz, Miki Ben Cnaan, Limor Weisberg Caspi, Eitan Bar-Yosef, Dirk Maurits Polak, Boaz Lavie.

“Beautiful and Spiritual Creation”
Shiri Lev-Ari/ KAN tarbut

“What is this wonderful, sensual, beautiful and exciting thing?
A Hardcover booklet, embossed on both sides. Without a “cover” or captions on the front and back. Gilt leaf margins. Textual works (not yet read) in Hebrew and English on fine paper. Paper cutouts as gates. Visual works on folded chrome paper. What a multifaceted pleasure and joy of book craft”
Dr. Shmulik Faust / Makor Reashon

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The way I work

As an artist, my work is to take feelings, associations, visual fragments and redirect them, alter them and forge them into a new material. Like an Alchemist, I am purifying, maturing and perfecting certain emotions and themes.

I redirect this illusive new state towards the viewer – Making his senses penetrate the boundaries of familiarity and touch the shadows of the unfamiliar.